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CHVRCHES announce their eagerly anticipated new album All The King’s Men alongside an extensive run of shows across North America, the UK and Ireland starting in February. All The King’s Men, their first album in almost six years, is due for release on 22 January 2027 in LP, CD, cassette and digital formats via Futures Music Group. Pre-order / pre-save All The King’s Men
The band - Lauren Mayberry, Iain Cook and Martin Doherty - took their pause in 2023 after touring their fourth UK Top 10 album Screen Violence, with all agreed that when they returned, their next chapter had to challenge and excite them. The result is All The King’s Men, a self-consciously British freewheeling collection of 11 tracks of vividly emotional indie rock that fans won’t expect, and neither did they. In the intervening years all three members were consciously and unconsciously absorbing material for their return. On his frequent trips back to Scotland to spend time with his mother, Doherty had reconnected with gritty British cinema by auteurs like Shane Meadows and Ken Loach - not incidentally the ones who stare down the barrel of the UK’s worst social issues - and UK artists like Massive Attack, Souxsie & The Banshees, and PJ Harvey. Meanwhile, Mayberry had done her 10,000 hours of sessions and leveled up as a lyricist, and came looking to make music that showcases a fresh storytelling quality and vocal range, and Cook - still living in the band’s Scotland home base - had started to reject electronics in favour of writing with acoustic instruments, and was listening to Nick Drake, Bert Jansch and Incredible String Band. With none of them approaching creation in the same way, they eschewed the remote working of Screen Violence to meet for multiple, intense three-week stints in Glasgow. They knew recording in-person and in Scotland was exactly the environment necessary for experimentation on this record. A first taste came last month in the form of ‘Roses’ - a scathing piece of contemporary social commentary, a confrontation with the darker undercurrents of Britain, with Mayberry snarling, “raise a glass to delusions of the good days of blood and wine; of pearls for swine.” The song’s Orwellian closing announcement, “If I may command your undivided attention, now we can start,” set the stage for what is to come with All The King’s Men. Through one lens All The King’s Men is a compulsive exploration of British and Scottish culture through the unique viewpoint of this specific band. After years now spent in America, with all its large newness as a country, Doherty and Mayberry connected with a sense of the UK’s history as “old and real” even when it’s ugly. Whether it’s smashing through expectations with playful 90s pop-rock (‘Adore You’) or injecting bleak, expansive loneliness into indie ballads (‘Comedown Tomorrow’), there’s an unapologetic dynamism and risk-taking to its state-of-the-nation songs that demands total attention. For Mayberry, Doherty and Cook this was about discovering their own strength between them, saying that it’s forever changed how they’ll work as individuals and together. In finding the album, CHVRCHES seem to have found something else too, for a second time in their career: a poignant creative language that belongs entirely to the three of them.
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